|
|
|
REMBRANDT Harmenszoon van Rijn The So called Polish Rider mk93
c.1655
Oil on canvas
116.8x134.9cm
New York
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn The Feast of Belsbazzar mk93
c.1635
Oil on canvas
167x209cm
London
The Naitonal Gallery
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Samson Betrayed by Delilah mk93
c.1629/30
Oil on panel
61.3x50.1cm
Berlin,Gemaldegalerie,Staatliche Museen Preubischer Kulturbesitz
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Christ at Emmaus mk93
1648
Oil on panel
68x65cm
Paris,Musee du Louvre
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn The Presentation of Jesus in the Temple mk93
1631
Oil on panel
60.9x47.8cm
The Hague,Mauritshuis
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn The Raising of the Cross mk93
c.1633
Oil on canvas
95.7x72.2cm
Munich,Bayerische Staatsgemalde sammlungen
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn The Descent from the Cross mk93
c.1633
Oil on wood
89x65cm
Munich,Bayerische Staatsgemalde sammlungen
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Self-Portrait as Zeuxis mk93
c.1669
Oil on canvas
82.5x65cm
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn The Anatomy Lesson by Dr.Tulp mk93
1632
Mauritshuis,
The Hague,Netherlands
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Titus mk93
c.1658
Oil on canvas
67.3x55.2cm
London
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn A Bearded Man in a Cap mk93
c.1657
Oil on canvas
78x66.7cm
London,The National Gallery
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Danae mk93
Oil on canvas
185x203cm
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Self-Portrait mk93
1629
Oil on panel
15.5x12.7cm
Munich,Alte Pinakothek
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Christ Driving the Money-changers from the Temple mk93
1626
Oil on panel
43.1x32cm
Moscow,
Pushkin Museum
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn The Martyrdom of St.Stephen mk93
1625
Oil on panel
89.5x123.6cm
Lyons,Musee des Beaux-Arts de Lyon
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn The Presentation of Jesus in the Temple mk93
c.1627/28
Oil on panel
55.4x43.7cm
Hamburg,Hamburger Kunsthalle
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Two Scholars Disputing mk93
1628
Oil on panel
72.3x59.7cm
Melbourne,National Gallery of Victoria,
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Esther Preparing to Intercede with Abasuerus mk93
c.1633
Oil on canvas
109.8x94cm
Ottawa,National Gallery of Canada
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn The Abduction of Proserpine mk93
1631
Oil on panel
84.8x79.7cm
Berlin,Gemaldegalerie,
Staatliche Museen Preubischer Kulturbesitz
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn Rembrandt-s Mother as the Biblical Prophetess Hannab mk93
1631
Oil on panel
59.8x47.7cm
Amsterdam,Rijksmuseum
|
|
|
|
|
|
|
|
| |
|
|
REMBRANDT Harmenszoon van Rijn
|
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
|